Nikolaas Demoen ‘In Courtesy of the Unknown’ object The figures she portraits refer

The figures she portraits refer to both popular culture and her direct

Mabesoone recoups visual languages that have habitually been coded as ultra-feminine and trivial

the kind in which silence is disturbed only by brief and anxious whispers speaking of conspiracy

artist and group member and also fulfils the role of graphic designer

The references in his work betray a broad spectrum of sources

Nikolaas Demoen ‘In Courtesy of the Unknown’ object The figures she portraits referIn Demoens work, things are not entirely like Richard Wolheim once objected to Ernst Gombrich, claiming that in the case of a theory of the double, our attention must be divided between two things or issues. There is more going on and down for that matter. Demoen (b. 1965) presents collages with cut up echoes, which in their fragmented state function as motif protagonists in a mise en scne that has fallen on its back and has not found its place yet.