RESTING CARVER 10 enthusiasm and naivete are a

enthusiasm and naivete are a source of endless fascination – especially when the setting is a hauntingly beautiful prairie or foothills landscape

Quinn James’s carvings are an excellent choice for collectors seeking authentic Indigenous artwork that carries forward generational knowledge

Sarah Martin’s work is perfect for collectors seeking artwork that feels both meaningful and effortlessly stylish

Since establishing her full-time practice in 1988

collectible art for modern interiors

RESTING CARVER 10 enthusiasm and naivete are aInuit graphics, including drawings and prints, represent a relatively recent but highly significant development in Arctic Indigenous art. Emerging in the mid 20th century with the establishment of the first print studio in Kinngait (Cape Dorset) in 1957, Inuit printmaking quickly became a vital form of cultural expression. Since then, annual print collections have showcased the creativity of Inuit artists, supported by galleries such as Canada House